VAULT / prints / ana-inciardi / thankyouthankyou
Ana Inciardi Mini Print
Thankyouthankyou, an Ana Inciardi mini print

Thankyouthankyou

CatalogObjects

Where to find this print

14 machines
Albany and Avers
Omaha, NE
Stocked
All The Feels
Houston, TX
Stocked
Artishouse
New York, NY
Stocked
Artists & Fleas Chelsea
New York, NY
Stocked
Athena Keke's
Brooklyn, NY
Stocked
Baked on 8th
Nashville, TN
Stocked
CASA NEXT DOOR
New York, NY
Stocked
Museum of the City of New York
New York, NY
Stocked
National Museum of Women in the Arts
Washington, DC
Stocked
Offline Coffee Co
Seattle, WA
Running low
SMOCA
Scottsdale, AZ
Stocked
Syracuse University Art Museum
Syracuse, NY
Empty
The Fabric Workshop and Museum
Philadelphia, PA
Empty
Wildcard Barber
Portland, OR
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a translucent plastic thank-you bag rendered in careful pencil-like gray tones, with the words "THANK YOU" repeated seven times in bold red lettering across the front of the bag. The handles are gathered and twisted at the top, giving the bag a slightly crumpled, used appearance. Small text runs along the bottom hem of the bag, and the title "thankyouthankyou" is hand-lettered in black beneath the image, with a partial signature visible in the lower right corner.

The ubiquitous plastic thank-you bag became a staple of American convenience and grocery stores, particularly in New York City, where it became so woven into daily street life that it earned a kind of accidental cultural status. Debates over plastic bag bans brought renewed attention to this overlooked object in recent years. Collectors are drawn to this print because Inciardi brings genuine artistic attention to an object most people discard without a second thought.

The repetition of the red lettering creates a pattern-like rhythm that feels deliberate and almost meditative, and the detailed rendering of the translucent plastic shows real observational care. This print sits comfortably as part of her broader print series documenting the textures of everyday urban life, and it pairs naturally with her other New York prints for collectors building a themed grouping. The hand-lettered title reinforces the personal, handmade quality that runs throughout her catalog, making this one of the more quietly interesting pieces in her body of work.

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