VAULT / prints / ana-inciardi / thankyouthankyou
Ana Inciardi Mini Print
Thankyouthankyou, an Ana Inciardi mini print

Thankyouthankyou

CommonObjects
140
Owned
13
Hunting
7
Trading

Where to find this print

13 machines
Albany and Avers
Omaha, NE
Stocked
Boston General Store - Dedham Square
Dedham, MA
Stocked
Burro
Venice, CA
Stocked
CASA NEXT DOOR
New York, NY
Stocked
Di Bruno Bros - Rittenhouse
Philadelphia, PA
Stocked
Home/Work Gift Shop
Santa Cruz, CA
Stocked
Museum of the City of New York
New York, NY
Stocked
SMOCA
Scottsdale, AZ
Stocked
Sweeter Than Fiction
Charleston, SC
Stocked
The Krog District
Atlanta, GA
Stocked
union
Venice, CA
Stocked
Whitney Museum
New York, NY
Stocked
Wildcard Barber
Portland, OR
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a classic plastic thank-you bag, the kind handed across deli counters and corner store registers across New York City every day. The bag is rendered in graphite-textured grey tones with the repeated phrase "THANK YOU" printed in bold red block letters stacked across the front panel, growing slightly larger toward the center before tapering again. The handles twist lightly at the top, suggesting a used or slightly crumpled bag, and the whole composition floats against a clean white background. At the bottom of the sheet, Inciardi has handwritten "thankyouthankyou" in lowercase, echoing the bag's text in her own hand. The plastic thank-you bag became a fixture of New York life through the latter half of the twentieth century, associated almost inseparably with bodegas, takeout counters, and neighborhood shops. It is a genuinely iconic piece of urban material culture. Collectors are drawn to this print because it captures an object that exists at the intersection of the mundane and the sentimental. There is a quiet nostalgia built into the subject, and Inciardi's careful rendering transforms something disposable into something worth preserving. Her draftsmanship is meticulous here, with the texture of the plastic bag handled through dense, patient mark-making rather than flat illustration. This print sits comfortably among her New York prints, and collectors frequently group it alongside her other city life subjects that document the textures and objects of everyday urban experience. It is a strong example of how her work finds weight in overlooked things.

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