VAULT / prints / ana-inciardi / trollius
Ana Inciardi Mini Print
Trollius, an Ana Inciardi mini print

Trollius

CommonPlants
420
Owned
62
Hunting
18
Trading

Where to find this print

15 machines
Albany and Avers
Omaha, NE
Stocked
Broadturn Farm
Scarborough, ME
Stocked
Carmichael's Bookstore
Louisville, KY
Stocked
Duet
Kansas City, MO
Stocked
Friends of the US Botanic Garden
Washington, DC
Out
Good Deeds Market
Cape May, NJ
Out
Greenwich Botanical Center
Cos Cob, CT
Stocked
Home/Work Gift Shop
Santa Cruz, CA
Stocked
LAHA at The Barn
Wellfleet, MA
Closed for season
Liberty Graphics
Freeport, ME
Stocked
Olive Avenue Market
Redlands, CA
Stocked
Shout and About - Encinitas
Encinitas, CA
Stocked
Simple
San Francisco, CA
Stocked
The Inkling Shop
Chicago, IL
Stocked
University Flower Shop
Ann Arbor, MI
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a cluster of Trollius flowers rendered in warm orange against a pale grey background, with green stems and foliage providing contrast throughout the composition. Five blooms of varying sizes are shown at different heights along branching stems, giving the arrangement a natural, unposed quality. Small buds appear between the open flowers, and the leaves at the base are rendered with enough detail to suggest the plant's characteristic deeply cut foliage.

The artist's name for the subject, "Trollius," is handwritten in the lower left corner. Trollius, commonly known as globeflower, is a genus of flowering plants in the buttercup family found across cool temperate regions of Europe, Asia, and North America. The rounded, cupped shape of the blooms is characteristic of the genus and is captured clearly in this illustration.

This print sits comfortably among the botanical subjects found throughout Ana Inciardi's catalog, which draws frequently on garden flowers and wild plants rendered in her signature limited-palette woodblock style. Collectors who focus on her floral work are drawn to the Trollius print for its warm color and the satisfying arrangement of blooms across the vertical composition. The orange tones read vividly even in a small format, and the handwritten labeling gives the piece a naturalist field-guide quality that appeals to collectors interested in the intersection of art and botanical documentation.

It pairs naturally with her other botanical prints, particularly those depicting single flower species with similarly clean, stem-forward compositions.

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