VAULT / prints / ana-inciardi / watermelon-slice
Ana Inciardi Mini Print
Watermelon Slice, an Ana Inciardi mini print

Watermelon Slice

CommonFood
326
Owned
80
Hunting
17
Trading

Where to find this print

12 machines
[words] bookstore
Maplewood, NJ
Stocked
Annabelle's Book Club LA
Studio City, CA
Stocked
City of Industry
Salt Lake City, UT
Stocked
Di Bruno Bros - 9th Street
Philadelphia, PA
Stocked
Emporium 2026 - Beach
Portland, ME
Stocked
Golden Hour Books
Indianapolis, IN
Stocked
Good Deeds Market
Cape May, NJ
Out
Hello Robin - Bellevue
Bellevue, WA
Stocked
post.script.
San Francisco, CA
Mystery Pack
Sotheby's
New York, NY
Stocked
The Inkling Shop
Chicago, IL
Stocked
The Krog District
Atlanta, GA
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a single triangular wedge of watermelon standing upright against a plain off-white background. The flesh is rendered in a saturated, slightly mottled red with scattered white flecks suggesting the fruit's interior texture, and four black seeds are visible across the surface. A thin white line separates the flesh from the rind, which transitions from white to a muted sage green along the curved bottom edge.

The composition is clean and centered, with the labeling "watermelon slice" written in casual hand-lettered script at the lower left. Watermelon is a warm-season fruit with origins in northeastern Africa, cultivated for thousands of years and now associated worldwide with summer eating. Its bold red interior and contrasting green rind have made it one of the most recognizable fruits across cultures and culinary traditions.

Collectors are drawn to this print for the same reason they seek out Inciardi's other food subjects: she captures familiar objects with directness and a handmade quality that feels neither fussy nor overly simplified. The slightly rough texture of the gouache or watercolor application gives the piece a tactile character that printed food imagery often lacks. As a food print, it pairs naturally with her other food subjects, and collectors who focus on that category within her catalog frequently group it alongside pieces depicting other produce or snacks.

The vertical orientation of the wedge is an unusual compositional choice that gives the print an unexpectedly monumental feeling for such a modest subject, which is part of what makes it a recurring favorite among those who follow her work closely.

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