VAULT / prints / ana-inciardi / beach-chair
Ana Inciardi Mini Print
Beach Chair, an Ana Inciardi mini print

Beach Chair

CommonObjects
944
Owned
64
Hunting
161
Trading

Where to find this print

23 machines
[words] bookstore
Maplewood, NJ
Stocked
Albany and Avers
Omaha, NE
Stocked
Allagash Brewing
Portland, ME
Stocked
Annabelle's Book Club LA
Studio City, CA
Stocked
Burro
Venice, CA
Stocked
Clark Art Institute
Williamstown, MA
Empty
Di Bruno Bros - Rittenhouse
Philadelphia, PA
Stocked
Golden Hour Books
Indianapolis, IN
Stocked
Good Deeds Market
Cape May, NJ
Empty
Gus & Ruby Boston
Boston, MA
Stocked
Hello Robin - Bellevue
Bellevue, WA
Stocked
Meet Cute Bookshop
La Mesa, CA
Stocked
MOOD
Janesville, WI
Stocked
Novel Neighbor
Webster Groves, MO
Stocked
Platform
Raleigh, NC
Stocked
Shout and About - Encinitas
Encinitas, CA
Stocked
SMOCA
Scottsdale, AZ
Stocked
Super Secret Ice Cream
Bethlehem, NH
Stocked
The Museum of Kansas City
Kansas City, MO
Stocked
The Violet Crown
Austin, TX
Stocked
Tidal Pages
Ipswich, MA
Stocked
Wild Oats Bakery
Brunswick, ME
Stocked
Wildcard Barber
Portland, OR
Stocked

About this print

The Vault take

The folding lawn chair depicted in this Ana Inciardi mini print is rendered in colored pencil against a plain off-white ground, its aluminum frame sketched in graphite with the loose, confident lines characteristic of her object studies. The back and seat are woven in a patchwork pattern of interlocking rectangles spanning yellow, orange, red, blue, navy, green, purple, and magenta, creating a dense, cheerful grid that dominates the composition. White armrests flank the back panel, and the chair sits at a slight three-quarter angle, giving the seat its own band of color beneath the upright back.

The webbed folding lawn chair became a fixture of American outdoor life across the mid to late twentieth century, commonly found at backyards, campsites, and beach shorelines. Its woven plastic or nylon strapping in bright multicolor combinations was a hallmark of its era. Collectors drawn to Inciardi's everyday object subjects tend to respond strongly to this print because the chair carries genuine nostalgia without sentimentality.

The image functions as a precise record of a culturally loaded object, rendered with enough warmth in the color application to feel personal rather than clinical. This print fits naturally as part of her broader print series devoted to familiar, unpretentious objects, and pairs well alongside her other studies of domestic and leisure items. The handwritten label at the bottom left, reading "Beach Chair," along with the "ANA / INC" signature at lower right, are consistent identifiers collectors use when cataloging her work.

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