VAULT / prints / ana-inciardi / candles
Ana Inciardi Mini Print
Candles, an Ana Inciardi mini print

Candles

CatalogObjects

Where to find this print

14 machines
Albany and Avers
Omaha, NE
Stocked
Artishouse
New York, NY
Stocked
Forth and Home
Webster Groves, MO
Stocked
Garlic Girl Vintage
Washington, DC
Stocked
Good Deeds Market
Cape May, NJ
Stocked
Gus & Ruby Boston
Boston, MA
Stocked
Handzy Shop + Studio
Covington, KY
Stocked
Memory Den
Portland, OR
Stocked
Novel Neighbor
Webster Groves, MO
Stocked
Offline Coffee Co
Seattle, WA
Running low
Super Secret Ice Cream
Bethlehem, NH
Stocked
The Momentary
Bentonville, AR
Stocked
Whatcom Museum
Bellingham, WA
Running low
Windie's
Westerly, RI
Stocked

About this print

The Vault take

Four taper candles in bloom-bright colors stand in mismatched candlesticks against a soft blue-grey ground in this Ana Inciardi mini print. The tallest candle is blue-grey, seated in a dark green turned wooden holder. Beside it, a pale blue taper rises from a pink bobbin-style stand, while an orange candle occupies a golden hourglass base on the right.

At the far left, a short green bubble candle sits in a clear tiered holder, its flame already lit like the others. The palette is warm and restrained, built from chalky crayon strokes that give each candle texture and quiet glow. Inciardi's handwritten title "Candles" appears in the lower left corner, a signature element of her mini print style.

Taper candles have been used in domestic and ceremonial settings for centuries, and candlesticks themselves became collectors' objects in their own right, prized for their variety of form across different craft traditions. The variety of holder styles shown here reflects that long material history in miniature. Collectors are drawn to this print because it captures a domestic still life with genuine compositional care, balancing height, color, and form across four distinct objects.

It sits comfortably as part of her broader print series of interior and object-based subjects, where everyday household items are treated with the same attention Inciardi gives her more elaborate scenes. The print pairs naturally with her other food and home object subjects, and collectors who focus on her still life work often seek it to anchor a grouping of her quieter, interior-focused pieces.

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