VAULT / prints / ana-inciardi / cherries
Ana Inciardi Mini Print
Cherries, an Ana Inciardi mini print

Cherries

CommonFood
179
Owned
8
Hunting
7
Trading

Where to find this print

11 machines
A Shop of Things
New York, NY
Stocked
A Shop of Things Nashville
Nashville, TN
Stocked
Annabelle's Book Club LA
Studio City, CA
Stocked
Brooklyn Charm
Venice, CA
Stocked
Cafe Conmigo
Cranberry Township, PA
Stocked
France 44
Minneapolis, MN
Stocked
Hello Robin - Seattle
Seattle, WA
Stocked
Montelupo Italian Market
Portland, OR
Stocked
Novel Neighbor
Webster Groves, MO
Stocked
Shout and About - Carlsbad
Carlsbad, CA
Stocked
The Inkling Shop
Chicago, IL
Stocked

About this print

The Vault take

Two ripe cherries hang from joined stems against a plain gray-white background, each fruit rendered in deep red with small white highlight marks suggesting their smooth, round skin. Three green leaves extend upward from the shared stem, detailed with visible veining and natural variation in tone from yellow-green at the edges to darker green at the center. The word "cherries" appears in handwritten script at the lower left, with "Al" initialed at the lower right. The composition is spare and centered, with the fruit occupying the lower portion of the image and the foliage filling the upper half. Cherries are stone fruits in the genus Prunus, cultivated widely across temperate regions. The double-cherry motif, two fruits sharing a stem, has long appeared in botanical illustration and decorative art as a compositional convention. Their simple, recognizable silhouette translates well to small-format work. This Ana Inciardi mini print fits naturally among the food and botanical subjects that run throughout her catalog, where everyday edible subjects are treated with careful observation and restrained color. Collectors are often drawn to this print because the cherries subject carries broad familiarity while Inciardi's hand-detailed linework and muted palette give it a quiet elegance that distinguishes it from more commercial fruit imagery. The handwritten label adds a personal, almost scientific-study quality that appeals to those who collect her natural history-adjacent work. It pairs well with her other food prints, and collectors often group it alongside her depictions of other fruits, vegetables, or garden subjects to build a cohesive themed display.

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