VAULT / prints / ana-inciardi / chick-a-dee
Ana Inciardi Mini Print
Chick-a-dee, an Ana Inciardi mini print

Chick-a-dee

CommonAnimals
571
Owned
35
Hunting
35
Trading

Where to find this print

12 machines
Allagash Brewing
Portland, ME
Stocked
Bartlett's Farm
Nantucket, MA
Stocked
Center for Maine Contemporary Art
Rockland, ME
Stocked
Festive Collective
Chicago, IL
Stocked
Maine Beer Company
Freeport, ME
Stocked
MIT Museum
Cambridge, MA
Stocked
Novel Neighbor
Webster Groves, MO
Stocked
Olive Avenue Market
Redlands, CA
Stocked
Parrish Art Museum
Water Mill, NY
Running low
Poppy Books & Gifts
Spanish Fork, UT
Out
Scoop Deck
Wells, ME
Closed for season
The Newark Museum of Art
Newark, NJ
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a plump black-capped chickadee perched on a bare twig, rendered in bold black ink with a warm yellow-green wash across the bird's breast and belly. The composition is centered and intimate, the bird facing slightly left with its characteristic black cap, white cheek patch, and dark wings detailed through confident linework. The yellow-green tone gives the otherwise monochromatic print a quiet, earthy warmth that feels deliberate rather than decorative.

The black-capped chickadee is one of North America's most familiar backyard birds, known for its distinctive call and its year-round presence across much of the continent. It is a common subject in natural illustration precisely because of how recognizable and beloved it is across regions. This animal print draws collectors who are drawn to Inciardi's confident, economical approach to the natural world.

Her bird subjects in particular carry a strong following, in part because she captures personality and weight in a small format without overcrowding the composition. The handwritten title at the bottom, "Chick-a-dee," and the artist's notation "Al" give the print a personal, studio quality that appeals to collectors who value that sense of direct connection to the maker. The two-color approach, simple black ink over a softer tonal wash, demonstrates her skill in layering without fuss.

This print pairs naturally with her other animal subjects, and collectors who focus on that corner of her catalog tend to seek it out as a straightforward, well-executed example of her work with wildlife.

More common prints

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