VAULT / prints / ana-inciardi / chick-a-dee
Ana Inciardi Mini Print
Chick-a-dee, an Ana Inciardi mini print

Chick-a-dee

CommonAnimals
174
Owned
5
Hunting
4
Trading

Where to find this print

14 machines
Allagash Brewing
Portland, ME
Stocked
Bartlett's Farm
Nantucket, MA
Stocked
Books Are Magic - Montague St
Brooklyn, NY
Stocked
Boston General Store - Coolidge Corner
Brookline, MA
Stocked
Center for Maine Contemporary Art
Rockland, ME
Stocked
Crystal Bridges Museum
Bentonville, AR
Stocked
Festive Collective
Chicago, IL
Stocked
Maine Beer Company
Freeport, ME
Stocked
Novel Neighbor
Webster Groves, MO
Stocked
Olive Avenue Market
Redlands, CA
Stocked
Parrish Art Museum
Water Mill, NY
Running low
Scoop Deck
Wells, ME
Closed for season
Super Secret Ice Cream
Bethlehem, NH
Stocked
The Newark Museum of Art
Newark, NJ
Stocked

About this print

The Vault take

This Ana Inciardi mini print captures a plump black-capped chickadee perched on a bare twig, rendered in bold black ink with a warm golden-olive wash across the bird's breast and belly. The composition places the bird slightly left of center, its body turned three-quarters toward the viewer while the tail extends to the right. The black cap, bib, and wing markings are crisp and graphic, while the pale face patch and buff underside carry that characteristic hand-pressed texture that comes through in Inciardi's relief printing process. The title "Chick-a-dee" is handwritten in the lower left, with "Al" initialed at the lower right. The black-capped chickadee is one of the most recognizable backyard birds in North America, known for its distinctive two-note call and its tolerance of cold winters across the northern United States and Canada. It is also the state bird of Massachusetts and Maine. This print sits comfortably within the animal print category of Inciardi's catalog, which draws collectors who appreciate her ability to give familiar creatures a quiet, sturdy presence through reduction and linework rather than decorative flourish. The two-color approach here, black ink over a golden underprint, keeps the image feeling handcrafted without being fussy, and that restraint is part of what collectors respond to across her animal subjects. It pairs naturally with her other bird and animal prints for collectors building a themed grouping, and its small format makes it a strong anchor piece in a tightly curated arrangement of her nature-focused work.

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