VAULT / prints / ana-inciardi / composition-notebook
Ana Inciardi Mini Print
Composition Notebook, an Ana Inciardi mini print

Composition Notebook

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Where to find this print

16 machines
All The Feels
Houston, TX
Stocked
Bookmans
Tucson, AZ
Stocked
Books Are Magic - Montague St
Brooklyn, NY
Stocked
Boston General Store - Dedham Square
Dedham, MA
Stocked
Clark Art Institute
Williamstown, MA
Stocked
Handzy Shop + Studio
Covington, KY
Stocked
Little Shop of Stories
Decatur, GA
Stocked
Madge Home
Minneapolis, MN
Stocked
post.script.
San Francisco, CA
Mystery Pack
Shout and About - Echo Park
Los Angeles, CA
Empty
Soleil
Portland, ME
Running low
The Fabric Workshop and Museum
Philadelphia, PA
Empty
The Paper + Craft Pantry
Austin, TX
Stocked
Wild Sisters Book Co - East Sac
Sacramento, CA
Stocked
Wild Sisters Book Co - Old Sac
Sacramento, CA
Stocked
yours truly, Elizabeth
St. Joseph, MI
Stocked

About this print

The Vault take

This Ana Inciardi mini print captures the front cover of a classic black and white composition notebook, rendered in what appears to be a hand-carved relief print. The familiar marbled pattern covers the entire cover in dense, energetic black ink, with white fragments breaking through to create the characteristic speckled texture that has defined this notebook style for generations. Centered on the cover sits the standard white label, bordered by a double rectangle, with the words "COMPOSITION BOOK" printed across the top and three ruled lines below.

The title "composition notebook" is handwritten in the lower left corner, and "ANA / NC" appears in the lower right, consistent with her standard mini print labeling practice. The black and white composition notebook has been a fixture in American schools and offices for well over a century, with its distinctive marbled cover design remaining largely unchanged across manufacturers and decades. Collectors are drawn to this print for its layered sense of nostalgia and Inciardi's ability to translate an immediately recognizable object into something that feels both graphic and handmade.

The marbled texture, notoriously difficult to render in any medium, is handled with confident mark-making that reflects her experience as a printmaker. This subject fits naturally as part of her broader print series documenting everyday objects and familiar scenes. It pairs well alongside her other prints depicting objects from daily life, and collectors who focus on her catalog of cultural touchstones tend to seek it out as a subject with immediate and cross-generational recognition.

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