VAULT / prints / ana-inciardi / eraser
Ana Inciardi Mini Print
Eraser, an Ana Inciardi mini print

Eraser

LimitedObjects
141
Owned
7
Hunting
12
Trading

Where to find this print

15 machines
Annie's Blue Ribbon General Store
Brooklyn, NY
Stocked
Burro
Venice, CA
Stocked
City of Industry
Salt Lake City, UT
Stocked
Clark Art Institute
Williamstown, MA
Stocked
Gus & Ruby Boston
Boston, MA
Stocked
Handzy Shop + Studio
Covington, KY
Stocked
Mermaid Books
Milford, CT
Stocked
Oblation Papers & Press
Portland, OR
Stocked
Penny Post
Alexandria, VA
Stocked
post.script.
San Francisco, CA
Mystery Pack
Soleil
Portland, ME
Out
The Inkling Shop
Chicago, IL
Stocked
The Paper + Craft Pantry
Austin, TX
Stocked
union
Venice, CA
Stocked
yours truly, Elizabeth
Saint Joseph, MI
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a Pink Pearl eraser rendered in watercolor on white paper, centered and slightly angled to suggest a three-dimensional form. The eraser's body moves from a deeper magenta pink along the edges and corners toward a softer, washed-out center, giving it a worn, familiar quality. The brand name "Pink Pearl" appears across the face in cursive lettering, and the word "eraser" is written in small handwritten script in the lower left corner, with "ANA INC" noted in the lower right. The Pink Pearl eraser, manufactured by Faber-Castell, has been a fixture in American classrooms and studios for decades. Its distinctive pink color and beveled rectangular shape have made it one of the most recognizable school supply objects in the country. Collectors are drawn to this print because Inciardi consistently elevates the overlooked and utilitarian into something worth examining. An eraser is among the most discarded and unnoticed of objects, yet here it becomes a quiet study in texture, color gradation, and nostalgia. This subject sits comfortably as part of her broader print series celebrating ordinary objects, and it pairs naturally with other prints in her catalog that take everyday tools and household items as their focus. The handwritten labeling style, used throughout her work, gives the piece a notebook or field-study quality that collectors recognize across her catalog. Those who collect her object-focused work often seek this print specifically because the subject carries such strong personal associations from childhood.

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