VAULT / prints / ana-inciardi / pencil
Ana Inciardi Mini Print
Pencil, an Ana Inciardi mini print

Pencil

CommonStationery
168
Owned
3
Hunting
11
Trading

Where to find this print

9 machines
Annie's Blue Ribbon General Store
Brooklyn, NY
Stocked
Books Are Magic - Montague St
Brooklyn, NY
Stocked
Boston General Store - Coolidge Corner
Brookline, MA
Stocked
Clark Art Institute
Williamstown, MA
Stocked
Penny Post
Alexandria, VA
Stocked
Phoenix Art Museum
Phoenix, AZ
Stocked
post.script.
San Francisco, CA
Mystery Pack
The Paper + Craft Pantry
Austin, TX
Stocked
yours truly, Elizabeth
Saint Joseph, MI
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a classic yellow pencil rendered in colored pencil on light blue card stock, positioned diagonally across the composition. The pencil points toward the upper left, showing a sharp graphite tip emerging from a pale wood cone. The body is a warm golden yellow with two white highlight lines running its length, and the ferrule is rendered in silver-gray with fine crosshatched lines. A bright magenta pink eraser caps the right end. The word "Pencil" is handwritten in the lower left corner, with "ANA / INC" initialed in the lower right. The standard yellow pencil became an American cultural fixture in the late nineteenth century, when manufacturers adopted yellow as a prestige color associated with high-quality graphite sourced from China. The hexagonal yellow pencil with a pink eraser remains one of the most universally recognized everyday objects in the world. Collectors are drawn to this subject for the same reason they seek out Inciardi's other object-centered works: she takes something so familiar it has become nearly invisible and renders it with quiet precision. The mini print format suits the subject perfectly, matching the modest, unpretentious nature of the pencil itself. Because Inciardi approaches ordinary objects with the same careful attention she brings to her food and botanical subjects, this print fits comfortably alongside her broader object and stationery-adjacent pieces. It pairs naturally with her other prints depicting everyday items, and collectors who appreciate her deadpan approach to familiar things often pursue it as part of a grouped arrangement.

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