VAULT / prints / ana-inciardi / pickles
Ana Inciardi Mini Print
Pickles, an Ana Inciardi mini print

Pickles

CommonFood
875
Owned
77
Hunting
108
Trading

Where to find this print

18 machines
Breadroot Natural Foods Co-op
Rapid City, SD
Stocked
Carmichael's Bookstore
Louisville, KY
Stocked
Chasen Matcha Bar
Dallas, TX
Stocked
Crystal Bridges Museum
Bentonville, AR
Stocked
Di Bruno Bros - Rittenhouse
Philadelphia, PA
Stocked
Garlic Girl Vintage
Washington, DC
Stocked
LAHA at The Barn
Wellfleet, MA
Closed for the season
Leven Supply
Denver, CO
Stocked
Northern Waters Smokehaus
Duluth, MN
Stocked
Penny Post
Alexandria, VA
Running low
Platform
Raleigh, NC
Stocked
Poppy Books & Gifts
Spanish Fork, UT
Stocked
Scoop Deck
Wells, ME
Closed for the season
St. Paul Meat Shop
Saint Paul, MN
Stocked
The Momentary
Bentonville, AR
Stocked
Wave Hill
Bronx, NY
Empty
Weisman Art Museum
Minneapolis, MN
Stocked
Wild Coast Goods
Nehalem, OR
Stocked

About this print

The Vault take

This Ana Inciardi mini print depicts a glass jar of pickles rendered entirely in two shades of green, a bright yellow-green for the filled areas and a deep forest green for the outlines and shadows. The jar sits slightly angled, its lid visible at the top, and the label at center reads "PICKLES" in bold lettering within an oval cartouche. Whole pickles are visible through the glass, their bumpy ridges conveying texture despite the limited color palette.

The linocut process gives the image its characteristic crisp edges and deliberate white gaps where the relief block did not take ink. Pickles have been a preserved food staple across cultures for thousands of years, with cucumber pickling traced back to ancient Mesopotamia. The brined cucumber jar is a recognizable piece of American kitchen and deli culture, instantly legible as an everyday pantry item.

This print fits comfortably among Inciardi's food subjects, where she consistently turns familiar consumables into precise, graphic compositions. Collectors drawn to her food prints tend to appreciate the straightforward commitment to a single subject with no background clutter or decorative filler. The restraint of the two-color palette here is characteristic of her approach, where limitation becomes a compositional tool rather than a constraint.

The handwritten title and initials in pencil below the image are standard features of her mini prints and contribute to the handmade quality collectors associate with her work. This print pairs naturally with her other food prints, particularly those depicting jarred, canned, or preserved goods.

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